This time we discuss Alfonso Cuarón’s Children of Men, yet another dystopian vision of the future, because the ultimate goal of this podcast, as it turns out, is to depress Mom. She shares some childhood memories and we conclude I am a likeable person. Mom drags in Son of Man, Soylent Green, and Sophie’s Choice and I try to understand how films I’ve never heard of are related to the subject matter at hand. She gushes over some of the actors she loves that are in this film, albeit for a short while. Mostly we go through the story and highlight our favorite scenes and continue to find that none of it is really all that fictional, let alone sci-fi. We look up a couple of actresses without mentioning their names to you, because we mostly wanted to know their characters’ names. The government handing out suicide pills leads to a tangent full of miscommunication, but no one commits suicide at the end of it. Someone does get pumped full of bullets and Mom is quite interested in how the body convulses before hitting the ground. In the interest of never going into politics – as is totally the mission statement on our podcast, in case none of you had ever noticed – Mom jokes about Trump’s response to the Parkland shooting. The trailer for today was the Official Trailer of Francis Lawrence’s Red Sparrow, which stars some actors Mom absolutely loves!
This week we get around to Denis Villeneuve’s Blade Runner 2049, the most expensive arthouse sequel ever! I was suffering from a sore throat and had no voice after a night out; don’t worry, I edited out most of the painful coughing I had to deal with. We try to remember what the Ridley Scott’s original Blade Runner was about (something something what is humanity), talk about whether or not Harrison Ford is a replicant (it’s probably just his character), and trail off to a Dutch play about sex robots that none of you will know (it was good though). Before I could get to the issues of ableism surrounding Jared Leto’s role and behavior, mom brought up the pronunciation of 2049, another hugely important matter of social relevance. Spike Jonze’s Her begs to be brought up as well in conversations about artificial intelligence in films, so we graciously comply. We also briefly discuss the other three movies we went to see that day: Ruben Östlund’s The Square (set in Stockholm, we almost guessed right), Andrea Arnold’s American Honey, and Christopher Nolan’s Dunkirk. This episode’s trailer time showcases Jurassic World: Fallen Kingdom, prompting us to share our memories of the franchise.
Welcome back for our episode about Martin McDonagh’s Three Billboards Outside Ebbing, Missouri! If in your culture it’s still acceptable to wish you a happy New Year in February, happy New Year; if not, have a nice Tuesday, I guess. After putting our New Year’s resolution out there to upload more consistently from now on, we venture into remembering what our target audience even was. Don’t worry, we still spoil basically everything, so figured we’re not suddenly aiming at people who haven’t seen the film yet. Prepared as ever, we fail to correctly spoil what the billboards say (“Raped while dying / and still no arrests? / How come, chief Willoughby?”) but we were close-ish, I’d say. Police ranks prove to be confusing for us throughout, as do different firearms (but really, who cares about the difference between a rifle and a revolver, we’re European). I also did try to keep my mom from saying overly intellectually ableist things on air, but couldn’t stop myself from saying revenge-y instead of vengeful at some point. We also talk about the Oscar nominations and make some uneducated guesses about which films will get Academy Awards in 2018! Mom spirals into a rant about Call Me by Your Name and as a result, I probably won’t watch it myself (something with gay representation having been shitty since forever). Me showing her a trailer at the end of the episode will be a regular segment from now on though, and we start off with the Red Band Trailer for I, Tonya!